Tags:historical
The Adventures of Tom Bombadil
Darkness Will Bind Them... watch The Lord of the Rings: The Rings of Power season 2 on Prime Video This revised and expanded edition of Tolkien’s own Hobbit-inspired poetry includes previously unpublished poems and notes, and is beautifully illustrated by Narnia artist Pauline Baynes. ‘Here is something that no devotee of the Hobbit epic can afford to miss, while awaiting a further instalment of the history of these fascinating people – a selection [of verses] offered as an ‘interim report’ to those interested in Hobbit-lore, and to any others who may find amusement in this mixed bag of old confections.’ One of the most intriguing characters in The Lord of the Rings, the amusing and enigmatic Tom Bombadil, also appears in verses said to have been written by Hobbits and preserved in the ‘Red Book’ with stories of Bilbo and Frodo Baggins and their friends. The Adventures of Tom Bombadil collects these and other poems, mainly concerned with legends and jests of the Shire at the end of the Third Age. This special edition has been expanded to include earlier versions of some of Tolkien’s poems, a fragment of a prose story with Tom Bombadil, and comprehensive notes by acclaimed Tolkien scholars Christina Scull and Wayne G. Hammond.
The Lay of Aotrou and Itroun
Unavailable for more than 70 years, this early but important work is published for the first time with Tolkien’s ‘Corrigan’ poems and other supporting material, including a prefatory note by Christopher Tolkien. Set ‘In Britain’s land beyond the seas’ during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the ‘Aotrou’ and ‘Itroun’ of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life. Coming from the darker side of J.R.R. Tolkien’s imagination, The Lay of Aotrou and Itroun, together with the two shorter ‘Corrigan’ poems that lead up to it and which are also included, was the outcome of a comparatively short but intense period in Tolkien's life when he was deeply engaged with Celtic, and particularly Breton, myth and legend. Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside Tolkien’s other retellings of myth and legend, The Legend of Sigurd and Gudrún, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into ‘real-world’ mythologies, each of which in its own way would be a formative influence on his own legendarium.
The Fall of Arthur
The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England’s legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur’s expedition overseas into distant heathen lands, of Guinevere’s flight from Camelot, of the great sea-battle on Arthur’s return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him ‘You simply must finish it!’ But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that ‘he hoped to finish a long poem on The Fall of Arthur’; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem’s structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.
Farmer Giles of Ham
On eBook for the first time, this edition of Tolkien’s classic book includes an introduction, a map, a copy of Tolkien’s unpublished short story which he expanded for publication, his notes for an aborted sequel, and the original first edition illustrations by Pauline Baynes. Farmer Giles of Ham did not look like a hero. He was fat and red-bearded and enjoyed a slow, comfortable life. Then one day a rather deaf and short-sighted giant blundered on to his land. More by luck than skill, Farmer Giles managed to scare him away. The people of the village cheered: Farmer Giles was a hero. His reputation spread far and wide across the kingdom. So it was natural that when the dragon Chrysophylax visited the area it was Farmer Giles who was expected to do battle with it!
The Letters of J. R. R. Tolkien: Revised and Expanded edition
The comprehensive collection of letters spanning the adult life of one of the world’s greatest storytellers, now revised and expanded to include more than 150 previously unseen letters, with revealing new insights into The Hobbit, The Lord of the Rings and The Silmarillion. J.R.R. Tolkien, creator of the languages and history of Middle-earth as recorded in The Hobbit, The Lord of the Rings and The Silmarillion, was one of the most prolific letter-writers of this century. Over the years he wrote a mass of letters – to his publishers, to members of his family, to friends, and to 'fans' of his books – which often reveal the inner workings of his mind, and which record the history of composition of his works and his reaction to subsequent events. A selection from Tolkien's correspondence, collected and edited by Tolkien's official biographer, Humphrey Carpenter, and assisted by Christopher Tolkien, was published in 1981. It presented, in Tolkien's own words, a highly detailed portrait of the man in his many aspects: storyteller, scholar, Catholic, parent, friend, and observer of the world around him. In this revised and expanded edition of The Letters of J.R.R. Tolkien, it has been possible to go back to the editors’ original typescripts and notes, restoring more than 150 letters that were excised purely to achieve what was then deemed a ‘publishable length’, and present the book as originally intended. Enthusiasts for his writings will find much that is new, for the letters not only include fresh information about Middle-earth, such as Tolkien’s own plot summary of the entirety of The Lord of the Rings and a vision for publishing his ‘Tales of the Three Ages’, but also many insights into the man and his world. In addition, this new selection will entertain anyone who appreciates the art of letter-writing, of which J.R.R. Tolkien was a master.
The Monsters and the Critics
The complete collection of Tolkien’s essays, including two on Beowulf, which span three decades beginning six years before The Hobbit to five years after The Lord of the Rings. The seven essays by J.R.R. Tolkien assembled in this edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien’s work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953. Also included in this volume is the lecture ‘English and Welsh’; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is ‘On Fairy-Stories’, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien’s approach to the whole genre. The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique ‘academic’ lecture on his invention (calling it ‘A Secret Vice’) and concluding with his farewell to professorship, five years after the publication of The Lord of the Rings.
A Secret Vice: Tolkien on Invented Languages
First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones. J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938–9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’. This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.
The History of the Hobbit: Mr Baggins and Return to Bag-End
This revised and updated examination of how J.R.R.Tolkien came to write his original masterpiece The Hobbit includes his complete unpublished draft version of the story, together with notes and illustrations by Tolkien himself. The Hobbit was first published on 21 September 1937. Like its sequel, The Lord of the Rings, it is a story that ‘grew in the telling’, and many characters and plot threads in the published text are quite different from the story J.R.R. Tolkien first wrote to read aloud to his young sons as one of their ‘fireside reads’. Together in one volume, The History of the Hobbit presents the complete text of the unpublished manuscript of The Hobbit, accompanied by John Rateliff’s lively and informative account of how the book came to be written and published. Recording the numerous changes made to the story both before and after publication, he examines – chapter by chapter – why those changes were made and how they reflect Tolkien’s ever-growing concept of Middle-earth. As well as reproducing the original version of one of the world’s most popular novels – both on its own merits and as the foundation for The Lord of the Rings– this book includes extensive commentaries on the dates of composition, how Tolkien’s professional and early mythological writings influenced the story, the imaginary geography he created, and how Tolkien came to revise the book years after publication to accommodate events in The Lord of the Rings. Endorsed by Christopher Tolkien as a companion to his essential 12-volume The History of Middle-earth, this thoughtful and exhaustive examination of one of the most treasured stories in English literature offers fascinating new insights for those who have grown up with this enchanting tale, and will delight any who are about to enter Bilbo’s round door for the first time.
Camilla Lackberg Crime Thrillers 1 and 2: The Ice Princess, The Preacher
The first two captivating Detective Patrick Hedstrom and Erica Falck psychological thrillers, available together for the first time. The Ice Princess, Camilla Lackberg’s stunning debut, sees writer Erica Falck return to her hometown of Fjällbacka after the funeral of her parents. She’s shocked to find a community on the brink of tragedy. A childhood friend’s body has been found in an icy bath, her wrists slashed – but was it really suicide? Meanwhile, local detective Patrik Hedström is following his own suspicions about the case. It’s only when they start working together that the truth begins to emerge about a small town with a deeply disturbing past... We return to Fjällbacka in The Preacher where Erica and Patrik are now living together and expecting their first child. Twenty years ago of two young women disappeared while holidaying in the peaceful resort. Now their remains have been discovered, along with a fresh victim, sending the town into shock. When another girl goes missing, Patrik’s attention focuses on the Hults, a feuding clan of misfits, religious fanatics and criminals. Which of this family’s dark secrets will provide the vital clue?
Camilla Lackberg Crime Thrillers 4-6: The Stranger, The Hidden Child, The Drowning
Discover the Queen of Scandi-crime Camilla Lackberg with these three thrillers – books 4, 5 and 6 in her 12 million copy international bestselling detective series, featuring Patrik Hedström and Erica Falck. THE STRANGER: A series of tragic road accidents and the murder of a reality TV contestant mark the end to a quiet winter for Detective Patrik Hedström. THE HIDDEN CHILD: The discovery of a Nazi medal in her late mother’s belongings leads Erica Falck to dig into her family’s past, and drag a dark truth from WW2 into the light... THE DROWNING: When a local author and his circle of friends receive death threats, his mentor crime writer Erica Falck investigates. But as the victims conceal evidence, what is the secret they would die to protect?
Buried Angels (Patrik Hedstrom and Erica Falck, Book 8)
No. 1 international bestseller and Swedish crime sensation Camilla Lackberg’s new psychological thriller featuring Detective Patrick Hedstrom and Erica Falck – irresistible for fans of Stieg Larsson and Jo Nesbo. YOU CANNOT CHANGE THE PAST Easter 1974. A family vanishes from their home on an idyllic island off the Swedish coast. They have left everything behind – including their one-year-old daughter, Ebba. Now, years later, Ebba has returned to the island. She and her husband have suffered the loss of their only child and are looking to make a fresh start. But within days, their house is the target of an arson attack. YOU CANNOT ESCAPE THE FUTURE Detective Patrik Hedstrom takes on the investigation, aided by his wife, crime writer Erica Falck, who has always been fascinated by the mystery of Ebba’s abandonment and the family’s tragic history. When dried blood is found under the floorboards of the old house, it seems that the cold case involving the missing family is about to be brought back to life. And soon, Patrik and Erica are consumed by the hunt for a killer who will stop at nothing to keep the past buried...
Camilla Lackberg Crime Thrillers 1-3: The Ice Princess, The Preacher, The Stonecutter
The first three crime thrillers from worldwide 10 million-copy bestseller Camilla Lackberg, ‘the hottest female writer in Sweden’(Independent). The Ice Princess: The body of crime writer Erica Falck’s childhood friend is discovered, wrists slashed, in an ice cold bath. Was it murder or suicide? The investigation leads her to a community on the brink of tragedy. The Preacher: Twenty years ago, two young women disappeared in Fjällbacka – now their remains are found, along with a new victim. As Patrik Hedström works to solve these murders, do the dark secrets of a local family hold the key? The Stonecutter: When a little girl is found in a fisherman’s net, the police realize it was no accidental drowning. Patrik Hedström investigates the death of a child both he and Erica knew well.